#sorrynotsorry 5 Books I Love That Others (Claim To) Hate

I sometimes see people apologize for or defend their entertainment choices and I wonder… why? Unless it involves kicking puppies, why apologize for what entertains you?

You like stupid comedies? Right on. Trashy romance? Enjoy. Snooty literary fiction? Good for you. Books that cause other to become suicidally depressed? Have fun!

The thing is that there are lots of people out there who love to judge. They’ll judge you for what you eat, what you wear, what you watch, who you love, what you read. If someone wants to judge you, they’ll find a reason.

What others think of you is none of your business. Seriously.

As long as you aren’t hurting anyone or inciting violence, you shouldn’t have to defend your choices or explain. I’m tired of the ubiquitousness of judgemental attitudes these days.

One thing I’ll never apologize for is what I like to read.

There are lots of people out there who like to hate on popular books, as if hating something automatically makes you smart. Don’t get me wrong; there are some popular books I’m just not into. But I don’t think it’s because I have better taste or anything like that; it’s just personal taste.

Judging by the sales of these books and the ratings on Goodreads, others like these books too, even though it’s popular to hate on them. Oh well… I’ve never been a cool kid anyway.

The DaVinci Code, by Dan Brown (mystery/ thriller): No one ever claimed this was literature, but it’s great fun and a fast read.

The Host, by Stephanie Meyer (science fiction): I LOVE this book. It’s not hardcore science fiction and probably appeals more to readers of romance or YA, but I loved the characters and the relationships. Maybe she’s not the world’s best writer, but when I’m engaged enough in the story, I don’t even notice.

Divergent, by Veronica Roth (YA science fiction): People who criticize this one say things like, “It doesn’t make sense,” or that the world building was sloppy. Many people criticized the idea of breaking people into factions. Maybe I’m just more willing to suspend disbelief than most people, but none of it bothered me. I liked the characters and enjoyed the ride.

The Hunger Games, by Suzanne Collins (YA science fiction): Critics say the characters were blank, the plot was predictable, and that Peeta was creepy (not romantic). I liked Katniss. I thought the plot was fine… sometimes predictable is good. And the argument that Peeta should have declared himself before, and not doing so, but loving her from a distance all that time is stalkerish… I feel like being a stalker is about action, not inaction. Team Peeta 4-ever.

Fearscape, by Nenia Campbell (YA horror): This is a three book series, and while I have numerous problems with it (more as the series went on), there are things I loved so much about it that I’m willing to deal with it. There’s a creepy stalker “romantic” interest who is actually a stalker. Yes, the main character is attracted to him, but she nopes out once she realizes that he’s crazy. Of course, that doesn’t help, but at least she tries. The book would have benefitted greatly from an editor (and even more as the books go on). But… even though I hate lazy writing, I can’t bring myself to hate this one. Please edit and republish, okay?

What books do you love that others (claim to) hate?

Can Genre Fiction Be As Life Changing As Literary Fiction?

IMG_8384Awhile back, I read The Little Paris Bookshop, by Nina George. The concept is intriguing. A book apothecary recommends books to “cure” people of their ills. Of course, there’s more to the book than that, but that’s the part that’s relevant to this discussion. I looked up some of the books he recommended, and they sounded like literary fiction to me.

What is literary fiction? you ask.

Good question. According to Wikipedia (but this is essentially the answer I’ve seen everywhere):

Literary fiction comprises fictional works that hold literary merit; that is, they involve social commentary, or political criticism, or focus on the human condition. Literary fiction is deliberately written in dialogue with existing works, created with the above aims in mind and is focused more on themes than on plot, and it is common for literary fiction to be taught and discussed in schools and universities.

Literary fiction is usually contrasted with popular, commercial, or genre fiction. Some have described the difference between them in terms of analyzing reality (literary) rather than escaping reality (popular). The contrast between these two subsets of fiction is controversial among critics and scholars. Source: Wikipedia

So, in a nutshell, it’s about analysis vs. escape. I like some literary fiction. And I like lots and lots of genre fiction. I think that, in general, the analysis vs. escape definition fits.

So it got me to thinking if genre fiction ever crosses that line into analysis, and if genre fiction can be as life changing as literary fiction.

I would argue that it can. And in fact, I think young adult fiction tends to do a lot of that.

I realize this is a bold assertion. After all, there are pages and pages dedicated to either people saying “I love YA and won’t apologize for it” and “Adults should be ashamed of reading books made for kids.” Honestly, both sides of the argument are compelling.

But I think that YA is uniquely appropriate for analyzing reality. After all, before they learn that they don’t know everything, many teens are amateur philosophers, solving all the world’s problems. I don’t miss the arrogance and self-centeredness of that time (and I was), but I miss the feeling of having all the answers. Teens are passionate about issues because they haven’t gotten to the point where they realize they don’t have time to be passionate about everything they care about. They don’t know how to pick their battles.

I’m not trying to say that all YA books analyze reality, or even reflect it in any meaningful way. But the ones that do can promote some good discussions and make me think about the nature of reality.

6 Genre Books That Explore Complex Issues

  1. This Savage Song/ Our Dark Duet by Victoria Schwab: Discusses the nature of responsibility for one’s actions, and that actions have consequences. (genre: dystopian YA)
  2. Me Before You, by Jojo Moyes: This was a controversial book because of the way it portrayed one of the main characters, Will. Will became quadriplegic because of an accident, and is also suicidal. While I understand the concerns associated with this book, I loved it because it explores the nature of self-determination, and an individual’s right to choose. (genre: romance)
  3. And The Trees Crept In, by Dawn Kurtagich: Explores the nature of grief and loss, and how our choices can imprison us (genre: YA horror)
  4. Six Months, Three Days, by Charlie Jane Anders: Explores the nature of choice and fate. (genre: science fiction novella)
  5. All the Bright Places, by Jennifer Niven: The main characters struggle with suicidal ideation and depression, and this book looks at how that can manifest for different people, and that sometimes there are no good “reasons.” (genre: YA)
  6. The Female of the Species, by Mindy McGinnis: Looks at themes of vigilante justice, self-protection, friendship, and how actions can have unexpected consequences. (genre: YA)

Have you ever had a genre book impact your life? What book would you “prescribe” to others?

 

Books I Read In 2014

On Spontaneous Saturdays, I post something on whatever topic comes to mind.

Berry Springs Park and Preserve Photo Credit: Doree Weller

Berry Springs Park and Preserve
Photo Credit: Doree Weller

In 2013, I started keeping track of the books I read.  I did this partly because I was curious, and partly because I do read a lot of books.  It got to the point that I couldn’t remember what books I’ve read and which I haven’t, so I thought that keeping a list was a good way to figure out if I’ve read a book before or not.  It’s not terribly sophisticated; I just keep a Google docs list so that I can update it anywhere, and I also like to keep track of the amount of time it takes me to read something.  Because I’m almost never without a book, people always asked me how much I read, and I used to tell them it was on average, 5 books a month.  I can see now that I was very much underestimating that.

I started reading 87 books this year, and only didn’t finish two.  One, I stopped reading, and the other, I’m still working on.

Forty of the books were rereads, and 6 of them were from the 100 Classic Books I’m working my way through.

My favorite new books from this year were The Book Thief by Markus Zusak, On Little Wings by Regina Sirois, Man’s Search for Meaning by Viktor Frankl,  The Unfortunate Fairy Tale Books by Chanda Hahn, and Every Ugly Word, Aimee L. Salter.  Interestingly, I didn’t find any new books to go into my all time favorites list, but these are all good, and worth reading.

I tried to read more “smarter” books this year, in addition to the classics.  I learned that while “smart” books might be good for my brain, I hate them.  I’ll stick with the classics, which at least make me feel like I’m accomplishing something, and if nothing else, help me get some references made by other authors.

What was the best book you’ve read this year?

* This is a book I’ve read before.

+ This is a book I didn’t finish

# From my classics list

X This was a book recommended by my book club.

  1.  #1984, George Orwell (12/23/13- 1/4/14)
  2.  The Book Thief, Markus Zusak (1/5- 1/7)
  3.  Confessions of a Jane Austen Addict (1/12)
  4.  *Pride and Prejudice, Jane Austen (1/12- 1/18)
  5.  +The MELT Method (1/20-
  6.  *Mr. Darcy’s Diary, Amanda Grange (1/20)
  7.  *Christy, Maud Johnson (1/23-1/24)
  8.  *Starting from Square Two, by Karen Lissner (1/27- 1/30)
  9.  X Boy’s Life, by Robert McCammon  (1/30- 2/22)
  10.  On Little Wings, by Regina Sirois (2/2- 2/3)
  11.  *Beautiful Disaster by Jamie McGuire (2/16-2/17)
  12.  Orange is the New Black, Piper Kerman (2/22- 2/28)
  13.  Miss Peregrine’s Home for Peculiar Children by Ransom Riggs (2/28- 3/3)
  14.  *Black Dawn, LJ Smith (3/11)
  15.  *Witchlight, LJ Smith (3/11)
  16.  The Dogs of Christmas, W. Bruce Cameron (3/13- 3/14)
  17.  *The Chosen, LJ Smith (3/16)
  18.  Hollow City, Miss Peregrine’s Peculiar Children, Ransom Riggs (3/18- 3/25)
  19.  Doomed, Chuck Palahniuk (3/26- 4/5)
  20.  *Carolina Moon, Nora Roberts  (4/3-4/4)
  21.  *Genuine Lies, Nora Roberts (4/5-4/10)
  22.  *Red Dragon, Thomas Harris (4/11- 4/15)
  23.  Island of Fire (The Unwanteds 3), Lisa McCann (4/16-4/17)
  24.  *The Host, Stephanie Meyer, (4/18- 4/20)
  25. #*The Lion, The Witch, and The Wardrobe, CS Lewis (4/21-4/22)
  26.  *Hannibal, Thomas Harris (4/24-4/28)
  27.  *The Fault in Our Stars, John Green (4/30-5/2)
  28.  The Heartbreak Pill, Anjanette Delgado (5/4-5/12)
  29.  *Baby Island, Carol Ryrie Brink  (5/16)
  30.  X The Glimmer Palace, Beatrice Colin (5/18- 5/26)- boring, read like historical fiction
  31.  #The Golden Compass, Philip Pullman (5/28- 5/31)
  32.  *Anne of Green Gables, LM Montgomery (6/1-6/2)
  33.  *Anne of Avonlea, LM Montgomery (6/3-6/4)
  34.  A Heartbreaking Work of Staggering Genius, Dave Eggers (6/5- 6/15)
  35.  The Cold Dish, Craig Johnson (6/6- 6/10)
  36.  The Broom of the System, David Foster Wallace (6/17- 7/6)
  37.  *Blue Dahlia, Nora Roberts (6/24-6/25)
  38.  *Black Rose, Nora Roberts (6/25-6/26)
  39.  *Red Lily, Nora Roberts (6/26- 6/30)
  40.  *Jewels of the Sun, Nora Roberts (7/6- 7/7)
  41.  *Tears of the Moon, Nora Roberts (7/7- 7/8)
  42.  *Heart of the Sea, Nora Roberts (7/8- 7/10)
  43.  House of Leaves, Mark Danlewski (7/11- 8/ something)
  44.  *Beautiful Disaster, Jamie McGuire (7/17- 7/19)
  45.  *Born in Ice, Nora Roberts (7/27-7/28)
  46.  *Born in Shame, Nora Roberts (7/28-7/29)
  47.  *Born in Fire, Nora Roberts (7/29-7/31)
  48.  *Sea Swept, Nora Roberts (8/1- 8/2)
  49.  *Rising Tides (8/2- 8/3)
  50.  *Inner Harbor, Nora Roberts (8/4)
  51.  Man’s Search for Meaning, Viktor Frankl (8/5- 8/18)
  52.  Timebound, Rysa Walker (8/18- 8/22)
  53.  *Pride and Predjudice, Jane Austen (8/22- 8/28)
  54.  Four, Veronica Roth (8/28)
  55.  Unenchanted (An Unfortunate Fairy Tale Book 1), Chanda Hahn (8/28- 8/29)
  56.  X While I Was Gone, Sue Miller (8/29- 9/2)
  57.  Fairest (An Unfortunate Fairy Tale Book 2), Chanda Hahn (9/2-9/3)
  58.  Fable (An Unfortunate Fairy Tale Book 3), Chanda Hahn (9/3)
  59. X  The Promise: A Tragic Accident, a Paralyzed Bride, and the Power of Love, Loyalty, and Friendship, Rachelle Friedman (9/4- 9/7)
  60.  *Walking Disaster, Jamie McGuire (9/8- 9/11)
  61.  Notes to Self, Avery Sawyer (9/11)- A girl with a head injury has to learn about herself and remember what happened the night of the fall.
  62. Broken Promises, Dawn Pendleton (9/13- 9/15), meh… poorly written, no conflict
  63. It Started With Dracula: The Count, My Mother, and I, Jane Congdon (9/15-  9/21)
  64. Broken Dreams, Dawn Pendleton (9/22)
  65. Broken Pieces, Dawn Pendleton (9/23- 9/24)
  66. Broken Valentine, Dawn Pendleton (9/24- 9/25)
  67. Every Ugly Word, Aimee L. Salter (9/25- 9/26) Young girl being bullied, Older Self, excellent.
  68. Kiss a Girl in the Rain, Nancy Warren (9/29-9/30)
  69. Iris in Bloom, Nancy Warren (9/30- 10/1)
  70. The Mad Tinker’s Daughter, JS Morin (10/2- 10/10)
  71. *Jane Eyre, Charlotte Bronte (10/14- 10/15)
  72. Loving Lauren, Jill Sanders (10/24- 10/25)
  73. X The Light Between Oceans, ML Steadman (10/25- 10/29)
  74. Ghost in the Bedroom, MA Harper (10/30- 11/3)
  75. #Dracula, Bram Stoker (11/4- 11/11)
  76. Fried Green Tomatoes at the Whistle Stop Cafe, Fannie Flagg (11/12)
  77. Reign, (An Unfortunate Fairy Tale Book 4), Chanda Hahn (11/13)
  78. #The Bell Jar, Sylvia Plath (11/14 -11/15)
  79. X #A Farewell To Arms, Ernest Hemingway (11/16- 11/25)
  80. The Crying Lot of 49, Thomas Pynchon (11/28- 12/18)
  81. *Divergent, Veronica Roth (12/4)
  82. *Insurgent, Veronica Roth (12/5- 12/6)
  83. *Allegiant, Veronica Roth (12/6- 12/7)
  84. *Blood Brothers, Nora Roberts (12/10- 12/12)
  85. *The Hollow, Nora Roberts (12/12-12/14)
  86. *The Pagan Stone, Nora Roberts (12/14- 12/15)
  87. X +The Night Circus, Erin Morganstern (12/30- present)

“A good book on your shelf is a friend that turns its back on you and remains a friend.”

~Author Unknown

G is for Greatness

Photo credit: Doree Weller

Photo credit: Doree Weller

I have a lot of different books, and enjoy reading a lot of different types of fiction.  I might enjoy a book a lot, but that doesn’t mean that the author achieved any greatness.  So what’s the difference between a book that achieves greatness and a book that I merely enjoy?  Note: these are my opinions, and I don’t like literary fiction, so I’m only talking about genre fiction.

“Nothing great in the world has ever been accomplished without passion.” -Hebbel

1.  It makes me feel, deeply.  If a book achieves greatness, I’m probably laughing out loud in spots and/ or crying in others.  It’s a book that makes me connect with my own humanity and the humanity of others.

2.  It entertains.  I know that some people think that entertainment is overrated, but I don’t.  I don’t mean that there has to be juggling clowns, but just there’s a story.  If there’s no plot, I’m not interested.  It’s why I’m not a fan of literary fiction.  Maybe The Red Pony by John Steinbeck is a classic, but it’s also BORING.

3.  The language flows and there is a distinct style.  This one probably is one of the most basic tenets of writing, but it’s important.  Maybe most people won’t know why what they’re reading moves slow or even though something is interesting, it just doesn’t keep them reading, but the reason is probably the writing.  Writers have distinct styles, like flavors.  They use words in a certain way, and that certain way has a melody to it.  A writer can be technically correct, and still not have that flow and distinct style, and I think it takes practice rather than teaching to learn it.

4.  The writer is willing to take chances.  Great writers don’t just write the same stuff over and over again.  They write the different and the unique.  They write what they have to write, and not what others have told them.  Dean Koontz talks about how early in his career, he was told that he needed to stick to one genre so that he didn’t confuse readers.  He gave us more credit than that, and the result is some books that break the rules and that I’ll never forget.

5.  They don’t give up.  No matter what.  Writing is hard work, and people who tell you it’s not have never sat facing a blank screen and then poured themselves out onto it.  Even for writers who have achieved greatness, it usually takes getting through rejection after rejection after rejection.  But a true writer has the words inside, and nothing can stop the flow.  They might get discouraged or angry or depressed.  But the words have to come out, so they keep writing and keep submitting.

There’s no recipe for how to achieve greatness, but every book I think qualifies has these qualities.  What are your thoughts?

Fantasy vs. Sci-Fi

I read an interesting take on Fantasy vs. Sci-Fi the other day.  I always just thought of Fantasy as things that couldn’t happen as explained by science, and science fiction as things that could be, even if we don’t have that technology currently.

It got me to thinking about how difficult it is to pin down genre.  Years ago, books used to be expected to have one genre only, ie. romance, fantasy, or mystery.  These days, multi-genre or cross-genre fiction is much more common.  I’ve already been interested in entering contests or calls for submissions with a genre listing that I have to look up.

In any case, here’s the original article I read.  Take a look; it’s interesting stuff.

http://www.charlotteenglish.com/2011/12/19/history-culture-and-fantasy-fiction/